That Drifting Excrement Was Far Too Meaningful! It's the Television Letdowns of the Year.

Looking back, we reflect on the TV offerings of the recent year, a handful of shows stand out not for their brilliance, but for their spectacular failures. Ranging from awkward spin-offs to confusingly bad documentaries, here are the productions that left us utterly bewildered or simply reaching for the remote.

And Just Like That

Where to begin with this love/hate spin-off? Burdened with woeful scripts, cringe-inducing arcs (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the show fought to justify its existence. For a moment, as the third season began, it looked like it had at last found its groove. Then came an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last season. It concluded on a low point; the closeup of Miranda’s loo flooded with poo was just way too symbolic. Still, viewers certainly had a hoot dissecting every single “what on earth?” episode. And as Carrie – once again single – twirled around her sprawling townhouse to Barry White, who couldn't let out a little sob?

All’s Fair

‘Can Kim Kardashian act? The answer is a resounding no.’

But that was practically the smallest of this drama's problems. The recipient of a very rare zero star assessment, it was hard to know where to start listing the flaws. The hilariously leaden dialogue? The tedious veneration of wealth and consumption? The almost deliberate parade of cliches? Performances so bad they felt almost malicious? Suffice it to say “each and every one” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part documentary which chuckled along at Sheen’s various episodes of self-destructive hedonism while struggling to tell us a single thing we didn’t already know. Instead, it felt as if this loose cannon was being indulged, so any sympathy this series might induce should be reserved for the people who have had to suffer close contact with this charismatic but dismissive egotist.

The Iris Affair

Naturally we understood it was preposterous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of pure admiration for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ended up slicing Charlie with an axe … in super slow-motion. That's what you call admitting defeat.

The Gangster Drama

Dodgy figures convening in empty boxing gyms? A certain band's Firestarter blaring in club scenes? The late 90s called and demands its crime drama back.

Actually, that is harsh on the crime shows of the late 90s. Many seem a little old-fashioned now, but at least they didn’t endure the embarrassment of having to indulge baffling accents. But there were many other issues. Primarily that it was just really boring; a conflict over narcotics territory between various London rogues which seemed a bit basic.

The Meghan Markle Series

Considering the extent to which she provokes the ire of the nation’s performatively angry commentators, it’s almost easy to applaud the Duchess of Sussex’s various forays into quaint homemaking as intentional statements. But then you view them and are compelled to admit that in this case, they might have a point. It’s like watching a lifestyle catalogue animated; a meme for wine o’clock with delusions of grandeur; a procession of sleeping dogs, humming beehives, sentimental platitudes and forgettable crafting “hacks” you’ll not remember instantly. All underpinned by immense, mostly unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about regarding Victoria Beckham and her journey with vocation, identity, self-worth. But for some reason, this documentary series chose not to explore them. Instead, the experience was like consuming a sales brochure. She clearly has every right to resent what she describes as her “stern” image. But sadly, she failed to do herself any favours with this guarded letdown of a series.

The Inheritance

It should have been the next big hit – except even camper, with a glamorous star as a deceased benefactor and a well-known personality overseeing her estate. What more could you ask for? As players battled it out, there was plenty of backstabbing and squabbling. But the rules quickly became bewildering: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw brief appearances of the star via prerecorded videos. The series ended up reeking of a programme that was straining desperately to live up to something far greater than it.

Too Much

How does one follow a show that captured a generation? The expectation was immense for this glitzy romcom about Jessica, a rosy-eyed New Yorker who arrives in London with a broken heart. The lead actress seized the opportunity by the horns and was joyous to watch, embodying Jane Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of celebrity friends involved felt icky.

The Sketch Show Return

Not even good enough to be ‘patchy’.

Given the smart inclusion of gifted younger comics, expectations were high. But sadly, most of it didn’t land. A particular sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, meanwhile, simply inspired the idea that they should probably have remained in there a bit longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely showcased the viewpoint of Amanda Knox. So, while there undoubtedly is an compelling drama to be made about the horrific 2007 murder, this was not it. The subject matter needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from oddly breezy, slightly stylised farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.

The Maths Genius Thriller

We admire the lead actor … but did we believe him playing the greatest maths genius since, a man so intelligent he’s on the brink of a discovery that could ruin society? No! This international thriller about government agencies spying on – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the content creator renowned for sexual escapades as she prepared for her biggest challenge yet. What on earth would possess her? What we craved was far greater interrogation of her true psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was disturbing shots and zero critical analysis of her infamy whatsoever. It's staggering to consider, the documentary-maker has a teenage daughter too.

Todd Pruitt
Todd Pruitt

Alexandra Reed is a seasoned network engineer and tech writer, passionate about demystifying complex technologies for everyday readers.